A story, not a recording.
Structure and pacing decided deliberately, so the point arrives before the viewer leaves.
You already have the footage. Editing is what turns it into something worth watching, and AI-assisted tools make the slow parts fast without handing over the judgement calls.
Talk about AI video editing
POST-PRODUCTION / CONCEPTGive your footage rhythm, clarity, and polish. We combine creative judgement with AI-assisted editing to make content worth watching.
Structure and pacing decided deliberately, so the point arrives before the viewer leaves.
Accurate captions and clear on-screen text, because most of your audience will start that way.
Short-form cuts and clips pulled from long footage that would otherwise sit unused.
A typical engagement covers the following. The final scope is agreed with you, in writing, before any work begins.
Get a scoped quoteA structure chosen for your audience, then paced so the useful part is not buried in the middle.
Accurate captions, lower thirds, titles, and simple animated elements in your brand style.
Noise reduction, level balancing, music beds, and a colour pass so shots sit together properly.
Vertical and square cuts of the moments that stand on their own, sized for each placement.
A defined number of review passes, with notes collected in one place and turned around together.
We watch what you have, agree the goal for the edit, and flag anything missing while it can still be shot.
Structure and pacing before polish, so the big decisions are settled while they are still cheap to change.
Captions, graphics, audio, and colour, plus the alternate cuts agreed in the brief.
Final files in every format you need, with source-quality masters.
Per finished video, depending on length, the volume of source footage, and how many short-form cuts come out of it.
Questions about working with us more generally — cost, timelines, and support — are answered on the FAQ page.
The original files at the highest quality you have, plus any brand assets, logos, fonts, and music you want used. We will tell you what is missing after the first review.
In the slow, mechanical parts: transcription, rough cut selection, caption timing, noise reduction, and generating short-form candidates from long footage. Structure, pacing, and what stays in are editorial decisions, and a person makes them.
We agree the number of review rounds in the project scope, typically two. Notes are easier to act on when they arrive collected in one pass rather than individually.
Yes. Send examples of previous episodes and we will build the titles, captions, pacing, and graphics to match, so a new edit sits alongside the old ones.
Tell us where you are now and what you want next. We’ll come back with an approach, a timeline, and a clear quote.